Monet Mystery


The beautifully designed collar necklace and door-knocker style earrings are signed Monet. I purchased them online believing from the description that the semi-circle links were stones. However, when I received the set, I decided they were NOT natural stones but were “resin” simulating the look of natural stones. Rather than be disappointed, I was intrigued to learn more about the high-quality “resin” used in this set. The style of the clasp was also interesting.

The semi-circular links are graduated in size and fully symmetrical reaching all of the way around the neck. However, the colorful “resin” is randomly placed in color and size.
The silver tone metal has a matte finish popular in the 1980s and beyond, so the necklace has a modern look. The pierced earrings are door-knocker style and light enough to be comfortable.
This close view shows the depth of color and natural-looking inclusions in the “resin”. They are so good, I studied this set for a long time trying to determine if they were natural stones coated with a clear material, or if they were “resin”.
Mostly the “resin” is fully contained in the frames. However, this view shows the “resin” spilling over the frame. This spillage finally convinced me the set was “resin”. Note the high-quality, sturdy metal links. This set was made to last.
The Monet signature is on the top of the clasp, so the name shows when the necklace is worn.

In researching information about the wonderful “resin”, I turned to Alice Vega’s book Monet The Master Jewelers published by Schiffer Publishing Ltd., 2011. I found one mention of an enameling process to simulate the look of resin referring to Monet’s 1981 Collection Concepts line. It reads,

Monet used a special enameling technique in Collection Concepts to simulate the look of stones using enamel. It was achieved by pouring a large amount of enamel into the empty jewelry cavity and leveling it off at the top just before it dried. It was then hand polished to a smooth glossy finish to simulate the look of a set stone.

Vega, p. 247

The Collection Concepts line was available in lapis and red. The colors in my set are not lapis or red. In addition, the resin is slightly domed. Still, I believe it is possible the resin in this set is a variation of the enameling technique used in 1981.

The second mystery is the Monet signature on the outside of the clasp. Most of my Monet jewelry dates to the 1980s or older and the signatures are on the underside of the clasps. I have not yet found any information on when this style of clasp was used; however, it certainly seems to be 1980s or newer.

I would love to know more about this set! For now, it is a Monet Mystery.

It is going to be a pretty fall weekend in North Carolina. I hope it is pretty where you are, too.

Happy Collecting,

Julie